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UNLEASHED
Untitled Document
> UNLEASHED <
BY JOHN PLUMMER
Some people succeed in sport, others in films but it takes a person of exceptional
talent to do both!
Meet Silvio Simac, actor, bodybuilder and world champion martial artist!
>
He is one of the best looking men you will ever look at, he has one of the most
perfect physiques you could ever imagine and he is one of the toughest fighters
you could ever encounter. Oh, and he gets to work alongside beautiful women in
the film industry. Meet Silvio Simac, actor, bodybuilder, world champion martial
artist and perhaps the man more likely to make you jealous than anyone else.
Simac, 31, is that rarest of commodities: a British martial arts film star. At
a smouldering six feet tall and a power-packed 97 kg, it doesn’t take long
to appreciate why he gets the auditions. Witness a few rapid-fire kicks and you
understand why he lands the parts. Since appearing in his first film in 2000,
he has worked alongside the likes of martial arts superstar Jet Li, WWE star
Rob van Dam and mainstream British actor Bob Hoskins, as well as having trained
with Lennox Lewis.
Before you hurl the magazine at the squat rack in a rage at how unfair life can
be, it’s worth knowing that although Simac’s face is God-given, his
physique and fighting skills aren’t. That just-walked-in-from-another-planet
look is the product of a dedication to fitness that has fluctuated from brutal
to insane over the best part of two decades.
His physical prowess first became apparent as a boy in Croatia. “My PE
teacher contacted my parents because I was good at power sports like sprinting,
long jump and shot put,” he recalls. “I held a few school records
and he told them I had ability. But we moved to England soon after that when
I was 12.”
When he arrived on these shores Simac discovered the man who personified everything
he wanted to be. “Like most boys who grew up in the 1970s I was inspired
by Bruce Lee,” he says. “He single-handedly created a new genre of
action films, opening the door for Sylvester Stallone and Arnold Schwarzenegger
who followed in his footsteps. When you’re a kid the first thing you appreciate
is strength because it is part of our primal instincts to do so. That’s
what first drew me to him: he had an amazing physique.”
Simac started weight training at the age of 13 to look like Lee and at 15 he
began tae kwon do so he could fight like him. Within two-and-a-half years he
had earned his black belt, a remarkably speedy achievement. “I’m
a very extreme person,” he explains. “I either do something extremely
well or not at all. When I set my mind on something, I give it 100 per cent.”
Such intensity concerned his parents. “They are both academics and they
were worried that my studies would suffer,” he says. He agreed to compromise
- not by easing up but by waking up at 5.30am to make sure he had time to fit
studying and training into his day. “I was fanatical,” he admits. “I
have pictures of me training barefoot in the snow when I was 16. I did lots of
crazy things like that. Back then protein shakes tasted disgusting, but I would
force one down me when I woke up before training. Then I would cycle to college
and when I got there I would do the splits between two chairs while my muscles
were still warm.”
Having achieved his black belt, he began setting bigger goals and soon he won
the first of 14 British titles in WTF tae kwon do. While still in his teens,
he started teaching the sport. “Teaching has given me more motivation to
become good than anything else,” he says. “One of the reasons I decided
to get into films was because it offers the chance to inspire more people. If
I teach a class of 37 I’m only reaching out to 37 people but if I appear
in a film I can influence a lot more.”
Simac won four European titles and eventually became world champion in 1999 before
retiring from the competitive side of the sport. “It got to the point where
I felt I was trying to meet other people’s expectations rather than my
own,” he says. Winning a world title seemed a good time to quit and he
began to think about kicking for cash instead of medals by trying his luck in
films. But while many people dream of a career on the silver screen few actually
do it. Simac admits he had plenty of doubts to begin with. “Subconsciously
I always wanted to do it but I didn’t have the confidence,” he says.
Luckily, he didn’t have to wait long for his break. “Someone said
they knew a film management company that was looking for martial artists,” he
says. “So I signed with them and five weeks later I had a contract.” Not
any old contract either: this one took him to Thailand for three months to shoot
the martial art flick Black Mask 2 in 2000 with WWE star Rob van Dam.
When he arrived in Thailand he was only supposed to walk on screen, throw a few
fancy kicks and depart. But he pulled the producer to one side to show him that
he could seriously fight and suddenly his role was upgraded to playing the sidekick
to the main villain. “It was the best experience of my life,” he
says. “It changed me completely. I fell in love with the industry completely
and I was still buzzing three months afterwards.” In the blink of an eye
he had gone from working at the students’ union at Thames Valley University
to international film star.
After returning to England he exploded on to British TV screens as one of the
stars of BBC2’s Masters of Combat programme. “It was like a martial
arts version of Gladiators,” he says. His early success prompted him to
attend drama classes, which helped him to continue to pick up work. He kicked
ass in Lexx, a Canadian science fiction series filmed in the Caribbean and broadcast
on Five in the UK before further film roles followed in The Purifiers, Team 1,
Square Circle and Unleashed, which was shot in Paris. When we met, he was preparing
to fly to Bulgaria for a sequel to the Wesley Snipes film Undisputed.
Few genres of film have flourished like the martial arts movie in recent years
but fighting on screen is nothing like fighting in real life. “It’s
about spectacular kicks and making your punches and kicks much larger,” he
says. “You don’t punch straight on screen, you swing your punches
from a long way behind your body. You exaggerate everything, including your reaction.
The reaction to a kick is what sells it more than anything else.”
Simac says the discipline instilled by bodybuilding and martial arts has played
a major role in his success. “You learn to push yourself to discover what
the body is capable of and that helps you overcome other hurdles in your life,” he
says. Unfortunately not all martial artists share Simac’s love of lifting,
preferring to harbour old-fashioned beliefs. “A lot of them think big muscles
will slow you down,” he says. “But look at sprinters - they are massive.
Look at gymnasts - they are big guys. Are they slow? If you are more powerful
your kicks are more powerful. It’s like comparing a three-litre car to
a one-litre car.”
The mental aspect of training also helps him survive what is a ruthless profession. “Success
is not just about having the right look,” he says. “ It’s about
determination and how many doors you knock on, and being in the right place at
the right time. You have to sell yourself. Getting contracts can be a lengthy,
painful process and you aren’t guaranteed anything until you sign. Having
an extreme personality means I do it properly. If you are half-hearted about
it, don’t bother.”
The rewards can be lucrative - he earns up to $1,000 a day - but work isn’t
on tap. “You could go without employment for three or four months, but
when it comes the money is good,” says Simac. “But remember that
you have to train intensely for six or seven weeks before taking on a role and
that can interfere with other commitments.”
When he isn’t working on set Simac is often found whipping his butt into
shape at Olympian Fitness in Hayes, Middlesex, UK, where even among the better
developed physiques he stands out. “I would like to see myself as the person
who bridges the gap between martial arts and bodybuilding,” he says.
TRAINING
Like many martial artists, Simac believes you have to take the mental aspect
of training as seriously as the physical side, even when it comes to working
out. “The first part of getting in shape is mental,” he says. “Too
many people lack the motivation to train effectively. When I go into the gym
I am there to train, nothing else. I am like a machine. Too many people train
for years and their body doesn’t change whatsoever. It’s not that
they are doing anything wrong, it’s that they don’t want it badly
enough. Everything starts with a thought so be positive and identify your goals.”
In a typical week, Simac practises martial arts four times and weight trains
four times. He also does a weekly plyometrics session and is obsessive enough
about stretching to admit to doing it in bed.
He varies his gym schedule to keep it interesting but this was his routine when
we met. On Monday, he trains chest and triceps, but not before a 20-minute run
between 13 to 16 kilometres per hour on the treadmill to warm up, followed by
15 minutes of stretching. He begins with four sets of incline dumbbell presses
in the six to 12 rep range, using up to 45 kg in each hand. Four sets of six
to 12 reps is his rule, although it varies on certain exercises, and he often
finishes each exercise with a drop set, which means doing the set to failure
then immediately lightening the load and carrying on until you get to the point
where even the lightest weight fatigues the muscle.
After incline dumbbell presses he switches to cable crossovers, decline dumbbell
bench press and dips. For triceps he does just three sets of two exercises, choosing
between either rope or bar pressdowns and overhead dumbbell pullovers. Simac’s
arms are arguably his strongest feature but he hardly trains them. “As
a kid I did lots of biceps curls and triceps extensions because they were the
only exercises I knew, which probably explains why my arms grew,” he says. “These
days I do very little for arms, particularly biceps, which I only train every
two weeks.”
On Tuesday, he trains shoulders. His schedule consists of one exercise each for
front, side and rear deltoids. He starts with dumbbell flyes for side delts followed
by front lateral raises. Then it’s the big one - dumbbell presses, which
are the main compound movement for building overall shoulder mass. As with chest,
Simac prefers dumbbells to barbells. “You can control the movement better
so it improves your core stability,” he says. He completes his shoulder
blast with rear lateral raises, which he performs lying facedown on a bench. “I
always finish with rear delts,” he says. “I like to pump it out to
exhaustion and sometimes do some push-ups as well.”
Wednesday begins with 60-minutes of cardio, followed by a plyometrics session.
He describes plyometrics as ‘bridging the gap between strength and speed’.
The sessions, which involve exercises such as frog leaps, vertical jumps and
clap press-ups, are designed to cultivate the explosiveness that is necessary
in martial arts by stretching the muscle then contracting it.
Simac trains his back on Thursdays with T-bar rows, lat pulldowns and cable rows.
Again, he works in the four sets of six to 12 rep range, finishing each exercise
with a drop set. “Because I train for speed and explosiveness I lift the
weight fast and lower it slowly,” he says.
Leg training is left until Friday. “I leave my legs until the end of the
week so they have time to recover over the weekend,” he says. Because he
spends so much time kicking, he doesn’t destroy his legs like many bodybuilders
do because he doesn’t want them to get too big and heavy to pick up, or
too sore for his martial arts training. But his workout isn’t that easy:
he does four sets of six to eight reps of Smith machine squats, using up to 150
kg. Then he performs leg extensions, hamstring curls and leg presses.
Simac, who is sponsored by Maximuscle, is equally passionate about nutrition.
He eats seven or eight small meals a day, making sure he takes plenty of protein
to build his muscles. Preparing so many meals, on top of his gym work and martial
arts training is tough - but then looking this good doesn’t come easy!
M&F
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